If there was anything that could have brought me back from the dead at this point, it was this gift from Shame. As you count your blessings this holiday season, make sure to leave a spot for the South London band’s cover of “Feliz Navidad.” Continue reading “Shame Revive Christmas with ‘Feliz Navidad’ Cover”
“…I felt it was important for the audience to hear ‘Take your hands off of her’ mid set.”
– Theo Polyzoides
Maybe you’re oblivious to it. Maybe you feel it’s none of your business. Maybe you just brush it off as the result of people being shoved around. Maybe you can’t bring yourself to confront it when you see it. Regardless, the unsolicited grabbing and groping of women who brave concert pits happens all too often.
King Nun have checked “none of the above” on reasons to ignore assault at concerts. Instead, they are actively calling it out in their new single “Greasy Hotel.” Continue reading “‘Greasy Hotel’ Sees King Nun Take a Stand Against Assault | Song Review”
After putting out a chart-topping self-titled album nearly four years ago, Hozier has officially announced his return and first new music since 2016’s “Better Love.”
The announcement came via e-mail with a hand-written letter from Hozier stating that a new EP titled “Nina Cried Power” will be coming Sept. 6. The letter reads in full:
“Thrilled to announce my new EP ‘Nina Cried Power’ will be released on Sept. 6th. Can’t wait to share these songs with you.
Many thanks and much love,
Continue reading “Hozier Annouces Return with New EP ‘Nina Cried Power’”
When I first heard “Do It Again” back in late May, I immediately felt that No Rome had found his home at Dirty Hit Records. He was already good on his own, but with the support and direction at Dirty Hit, he has reached his peak element. Continue reading “No Rome Releases ‘Do It Again’ Music Video Ahead of Debut EP RIP Indo Hisashi”
If we thought “Chinese Medicine” was King Nun’s statement of intent to create more polished and melodic music going forward, “Heavenly She Comes” arrived to prove us dead wrong. Continue reading “King Nun ‘Heavenly She Comes’ Thrashing Onto the Scene | Song Review”
The 1975 just released the third addition to their forthcoming album A Brief Inquiry Into Online Relationships, and unlike the first two installments, “TOOTIMETOOTIMETOOTIME” doesn’t require much deciphering. There are no thick layers of meaning to unpack, just thick layers of auto-tune. Continue reading “‘TOOTIMETOOTIMETOOTIME’ is the Unapologetic Pop Song The 1975 Always Admired | Song Review”
Despite being named part of DIY Magazine’s “Class of 2018”, King Nun have been silent on releases throughout the majority of the year. But in a fortuitous turn of events, the four Londoners emerged on this otherwise unlucky Friday the 13th to heal our misfortunes with a bit of “Chinese Medicine.” Continue reading “King Nun Announce Debut EP With ‘Chinese Medicine’”
Olivver The Kid (real name Bryan Sammis) released the lead single off his upcoming EP Ego Surfin’ on Friday and it has sparked quite the response. Continue reading “‘Overreacting’ | Olivver The Kid’s Newest Release Triggers ‘Overreaction’ From The Neighbourhood’s Jesse Rutherford”
Well darlings, the much anticipated June 1 has come and gone without a new album from The 1975. To be honest, I felt it was a reach to assume the first signs of life from the Manchester quartet would be as daring as an entire album — but that doesn’t mean they didn’t make a bold comeback.
Continue reading “The 1975’s ‘Give Yourself A Try’ Introduces the Music For Cars Era”
Taking the stage for the first time in a new city can be nerve-racking for anyone. What will the crowd be like? How will their energy be? Will they be responsive? Antagonistic? There are so many unknowns. To take the stage as a 19-year-old solo artist playing her first L.A. show far away from her home in Brisbane, Australia? The intimidation could be paralyzing.
But if Grace Shaw — known onstage as Mallrat — had any of those concerns, she hid them well. Of course, landing a spot on The New York Times list of stand-out acts at South by Southwest Music Festival (alongside recent South London darlings, Shame) offers a solid vote of confidence.
Continue reading “Concert Review | Mallrat Makes Friends with Los Angeles Live at the Lodge Room”