When I first heard “Do It Again” back in late May, I immediately felt that No Rome had found his home at Dirty Hit Records. He was already good on his own, but with the support and direction at Dirty Hit, he has reached his peak element. Continue reading “No Rome Releases ‘Do It Again’ Music Video Ahead of Debut EP RIP Indo Hisashi”
If we thought “Chinese Medicine” was King Nun’s statement of intent to create more polished and melodic music going forward, “Heavenly She Comes” arrived to prove us dead wrong. Continue reading “King Nun ‘Heavenly She Comes’ Thrashing Onto the Scene | Song Review”
Despite being named part of DIY Magazine’s “Class of 2018”, King Nun have been silent on releases throughout the majority of the year. But in a fortuitous turn of events, the four Londoners emerged on this otherwise unlucky Friday the 13th to heal our misfortunes with a bit of “Chinese Medicine.” Continue reading “King Nun Announce Debut EP With ‘Chinese Medicine’”
Olivver The Kid (real name Bryan Sammis) released the lead single off his upcoming EP Ego Surfin’ on Friday and it has sparked quite the response. Continue reading “‘Overreacting’ | Olivver The Kid’s Newest Release Triggers ‘Overreaction’ From The Neighbourhood’s Jesse Rutherford”
Taking the stage for the first time in a new city can be nerve-racking for anyone. What will the crowd be like? How will their energy be? Will they be responsive? Antagonistic? There are so many unknowns. To take the stage as a 19-year-old solo artist playing her first L.A. show far away from her home in Brisbane, Australia? The intimidation could be paralyzing.
But if Grace Shaw — known onstage as Mallrat — had any of those concerns, she hid them well. Of course, landing a spot on The New York Times list of stand-out acts at South by Southwest Music Festival (alongside recent South London darlings, Shame) offers a solid vote of confidence.
Continue reading “Concert Review | Mallrat Makes Friends with Los Angeles Live at the Lodge Room”
Shame have been lucky enough to have the wise words of music industry veterans guiding them throughout their formative years. One piece of insight was particularly pertinent as the five-piece kicked off their first full U.S. tour at The Echo in Los Angeles — L.A. crowds will crush your spirit.
But the sold-out club last night was worlds apart from the standard callous L.A. audiences who are too cool and too jaded to be impressed. Because when it comes to Shame’s stage presence, impress they do. The British band’s West Coast debut in support of their debut album, Songs of Praise, proved to be the most manic and delirious gig I’ve witnessed at the distinguished Echo Park venue.
Fair warning to those seeing Shame live for the first time: they are bound to become your new favorite band if they aren’t already.
Fair warning to those passing on such an opportunity: you’re missing the fuck out.
Continue reading “Concert Review | Shame Live in Los Angeles Deliver a Cathartic Kick Off to First Full U.S. Tour”
Ryan Scott Graham’s solo project Speak Low If You Speak Love revealed a softer side to the bass player of the more aggressive pop-punk outfit State Champs with his debut album, Everything But What You Need, being grounded in a simpler acoustic sound. Now Graham has released a second album to expand on his solo repertoire. If Speak Low’s debut album revealed his softer side, his sophomore album, Nearsighted, shows off his musical maturation.
Continue reading “Album Review | Speak Low If You Speak Love’s ‘Nearsighted’ Speaks Introspective Volumes”
In late 2016, Bryan Sammis announced he would be putting his solo project Olivver the Kid (also stylized ØV) to rest “maybe forever. maybe for a long time. maybe a short time.” Now, a short (or long) year later, ØV has returned with new single “Bitter.” Continue reading “Olivver the Kid Makes a ‘Bitter’ Comeback”
Obsession has the power to turn even the most level-headed, sane person into a slightly psychotic creep. And if you’ve never experienced that level of obsession, I’m not sure you’ve truly lived.
With the release of “My Obsession,” we see Pale Waves fully embrace a break from sanity with the full length of their straight jacket sleeves. The video features frontwoman Heather Baron-Gracie in brief vignettes with her unidentified obsession — that is until the climactic chorus. Continue reading “Pale Waves’ ‘My Obsession’ is Voyeuristic and Vulnerable | Song Review”
Pale Waves just wrapped their first U.S. headline tour spanning 21 cities, and had a secret to share with fans who came out to support them. At their Dec. 2 Los Angeles gig, lead singer Heather Baron-Gracie introduced their song “My Obsession” saying it would be their next single.
Continue reading “Pale Waves Announce ‘My Obsession’ As Next Single”