I’m just going to say it — “Heavenward” is the song I hope will be played at my funeral. That may sound morbid (which I am), but this song captures the perfect balance of celebration and hope that is lacking in most tribute songs for passed loved ones. Continue reading “Wolf Alice’s Newest Single Sends You ‘Heavenward’”
Alright babes, Walk The Moon… IS. BACK.
As promised, the boys released their first single, “One Foot,” just hours ago, coming back from an unexpected year-long hiatus. While their announcement of new music was rather quiet, “One Foot” is all the roaring proclamation the band needs to declare their return. Continue reading “WALK THE MOON’s ‘One Foot’ Premiere is a Resilient Comeback”
Between my obsession with The 1975, my infatuation with Wolf Alice and my fascination with The Japanese House, I’m basically Dirty Hit Records’ bitch. I trust my eardrums almost entirely to Jamie Oborne.
So when one of the record label’s newest signees, Pale Waves, released their first single “There’s a Honey,” it was honestly no surprise to me that I ended up having it on repeat for three days. After living off of the one single for six months, they finally released a second single, “Television Romance,” … and I honestly feel like I’m still listening to “There’s a Honey” on repeat. Continue reading “‘Television Romance’ from Pale Waves Triggers Déjà Vu”
Have I mentioned that it is impossible to put Wolf Alice in a box? Oh yes… yes, I have. The North London foursome have relentlessly proven my point with each single from their upcoming album, Visions of a Life, due out Sept. 29. Exhibit C: they’re newest track, “Beautifully Unconventional.” Continue reading “Wolf Alice’s Funky ‘Beautifully Unconventional’ Continues to Confound”
Have you ever wondered what sad people dance to? I suppose most of you haven’t. You probably don’t even imagine that sad people dance. Well that may have been true before, but it was probably because no one bothered to make music for the dismal dancers.
The dads of sad, La Bouquet, have emerged out of the Los Angeles music scene to rectify that issue.
With two singles, “Loveless” and “Loser Baby,” already released, and an upcoming EP in the works with a full length album soon to follow, people all in their feels can now pull away from the walls and dark corners and experience all the feels out on the floor with everyone else.
The L.A.-based band has done limited touring and is still growing their roots in SoCal (something I’m sure will change once they officially release more material), so non-local fans have very minimal exposure to anything beyond the two already released singles. For you, my poor unfortunate souls, I have their full six-song set from their recent show at Bardot in Hollywood. Think of it as an album teaser and taste of their live show for when they hit the road again. Continue reading “La Bouquet Gets the Sad People Dancing”
Upon the conclusion of their U.S. tour, going into their small venue U.K. tour, Wolf Alice is getting intimate in more than just their concert gigs. The four-piece recently released the amorous music video for their most unabashed love song, “Don’t Delete the Kisses.” Continue reading “Wolf Alice Smoothes Out Rough Edges with ‘Don’t Delete the Kisses’”
The Japanese House — not to be confused with Japanese Wallpaper or Japanese Breakfast — is nowhere near new to my playlist having put out a steady stream of EP releases to keep listeners at bay since 2015. But Amber Bain seems in no rush to satiate her fans’ appetites with an LP. Continue reading “The Japanese House is Somebody I’m Happy to Have Found”
While LANY is arguably referred to as an alternative band, one thing is for sure — they are the epitomical sound of the millennial generation. From their lyricism to their composition to their song titles, this synth-laden album checks all the boxes for mass appeal to teens and 20-somethings. Continue reading “LANY Makes a Debut Album Perfect for Millennials”
If there’s one thing you should know about Wolf Alice, it’s to never put them in a box. Their Grammy nominated debut album “My Love Is Cool” bounded between pacifistic indie-folk to turbulent grunge from track to track. If “Moaning Lisa Smile” was their ode to grunge revival, “Yuk Foo” is their jab into riot grrrl punk… except with boys, too. Continue reading “Wolf Alice’s ‘Yuk Foo’ Takes No Prisoners”
If you have been having a tough time coping and find yourself in need of a hug, you should really find your way to a MAGIC GIANT concert. I’m not just talking about how Austin, Zang and Zambricki give the most amazing hugs – I’m talking about how there is so much positivity radiating from these guys, it becomes an encompassing force throughout the room that feels like a giant embrace.
Admittedly, I had no intention of writing a review when I went to the “In The Wind” album release party, but that show was so beyond words, I decided I had to take on the challenge of at least trying to capture the incredible experience.
Continue reading “Concert Review: MAGIC GIANT Gives Breath of Fresh Air in More Ways Than One”